Veni Emmanuel (orchestral)
Orchestra with optional chorus. 8.5 minutes. 2233 4331 timp+3 hp strings
Orchestral parts: Rental. Choral books: $2.50 hardcopy/$1.50@ e-file delivery ORDER
"...the most beautiful version of “O Come, O Come, Emmanuel” out there today...a marvelous work." —Jonathan Willis, conductor
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This setting of the 15th century tune Veni Emmanuel, (O Come, O Come, Emmanuel) is designed to be a dramatic procesional to open a Christmas program. Although composed to be performed with choir, all choral parts are crossed-cued in the instrumental parts so that it may be performed without singers.
Orchestral and band versions are in the same key to allow for joint ensemble performance.
It also supports the use of multiple choirs for institutions with large choral programs.
Verse 1: Unison men (can be sung by the men's choir)
Verse 2: SSAA (can be sung by the women's choir or a childrens choir in unison)
Verse 3: SATB (can be sung by the mixed choir)
Verse 4: SSAATTBB (can be sung by all choirs)
Summit Choral society performs Ayers' Veni Emmanuel
December 2007. Jesse Ayers' Veni Emmanuel for chorus and orchestra was performed December 12, 13, and 14, by the Summit Choral Society (Akron, OH) under the direction of Dr. Frank Jacobs. The work is a processional piece. The men begin singing softly in unison, like chant, from behind the audience. Then the orchestra begins playing the 15th-century hymn while the choir solomnly process in. From its dark, sombre beginning, the work becomes progressively brighter until the climactic "Rejoice! Rejoice!"
Jacobs founded the group in 1990. Since then, the Society has continued to present a four-concert series in a variety of venues throughout Akron. The increasingly popular “Christmas Candlelight Concerts” have witnessed virtually sold-out performances.
Program Notes
Veni Emmanuel was composed in the fall of 1997 for the combined ensembles of the Malone College music department. The tune first appeared in the 15th century and is best known today in the United States as the Christmas hymn "O Come, O Come, Emmanuel." This setting begins dark and sombre, expressing a longing for the Messiah to come. The piece grows progressively brighter and more cheerful and finally festive with the realization that the time of His appearing has come. After the first statement of the words "Rejoice! Rejoice!" the listener will hear the brass briefly quote the hymn " Crown Him With Many Crowns," referring, of course, to Jesus, the King of Kings. The piece closes softly, with a solo trumpet asking the question "What wondrous love is this?"
Instrumentation
2 Flutes (2nd doubles picc.)
2 Oboes
2 Bb Clarinets
1 Bb Bass Clarinet (optional)
2 Bassoons
1 Contrabassoon (optional)
4 Horns
3 Trumpets
2 Trombones
1 Bass Trombone
1 Tuba
Timpani (4 drums)
3 Percussionists
Harp
SATB Chorus (optional)
The use of multiple choirs is also possible.
Verse 1: Unison men (can be sung by a men's choir)
Verse 2: SSAA (can be sung by a women's choir)
Verse 3: SATB (can be sung by a mixed choir)
Verse 4: SSAATTBB (can be sung by all choirs)
Strings
Performances
Sunday, December 6, 2009, Montgomery, Alabama

Veni Emmanuel for chorus and orchestra
First United Methodist Church
Jack Horner, conductor
2416 W. Cloverdale Park
4:00 p.m. local time
December 14-15-16, 2007, Akron, OH

Veni Emmanuel
SATB chorus and orchestra
The Summit Choral Society and Orchestra
Dr. Frank Jacobs, conducting
December 8, 2007, Hollis, NH
Veni Emmanuel for band and chorus
The Hollis Town Band and Christmas Chorus
David Bailey, conducting
December 2, 2007, Valparaiso, IN
Veni Emmanuel for symphonic band
The Valparaiso University Luce Concert Band and
The Valapraiso Community Band
Dr. Jeffrey Scott Doebler, conducting
December 2, 2007, Durban, South Africa

Veni Emmanuel for orchestra
The Durban City Orchestra
December 8, 2005, Alliance, OH
Veni Emmanuel for symphonic band
The Mount Union College Symphonic Band
Jonathan Willis, conducting